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Campagnoli: 41 Caprices for Viola Op. 22

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15.06.2024 10:11
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The considerable fame that Bartolomeo Campagnoli (1751–1827) achieved during his own lifetime was largely due to his contribution to violin studies. The 41 Caprices he wrote for viola and the 7 Divertimenti for solo violin are still in use today.

Composer: Bartolomeo Campagnoli
Artists: Marco Misciagna (viola) & Marco Ciannella (piano)

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Campagnoli’s career as a concert performer began in Rome in 1775, continuing in a long tour of the courts of the capital cities of Europe. In 1797 he was made concert director and first violin at the Gewandhaus in Leipzig, a post that he held until 1818, although he also maintained his contacts with the most advanced and influential cultural centres of Europe. He thus enjoyed a florid exchange with some of the most famous teachers and Nevertheless, there is an unmistakably composers of the time, in particular with Cherubini and Kreutzer. The idea that ‘true expression depends on the sound, intonation, movement, taste and aplomb of the measure’ was a constant tenet with Campagnoli, as was his insistence on the need to understand clearly the character of each piece in order to appreciate to the full the composer’s intentions. All this required respect for the exact point in which embellishments have to be added (without exceeding), because: ‘nothing is more beautiful and moving than what is simple’.

Karl Albert Tottmann (1837–1917) was a German musician and composer. Leaving the Leipzig Conservatory, he entered as first violin of the Gewandhaus Orchestra and in 1868 he was named director of the Vieux Théâtre Orchestra, remaining in this role until the end of 1872. Campagnoli’s 41 Caprices for viola were published in Leipzig around 1815, with Tottmann later adding a piano accompaniment. Capriccio No.17, a theme with variations in E minor, is the most musical and consistent of the collection and is particularly suitable for a performance as a concert piece: an alternative piano accompaniment for this caprice was later created and published by Grażyna Bacewicz. The 41 Caprices are the most important and well-known compositions by Campagnoli and one of the most important collections of violistic teaching.

Tracklist:
41 Caprices for Viola, Op. 22:
00:00:00 I. Largo – Allegro
00:02:41 II. Andante con moto - Piu moto
00:04:47 III. Allegro moderato
00:06:13 IV. Andante maestoso
00:08:01 V. Allegro moderato
00:10:43 VI. Adagio
00:13:09 VII. Tempo giusto
00:15:08 VIII. Largo
00:19:45 IX. Allegro
00:20:51 X. Adagio amoroso
00:24:11 XI. Allegro
00:25:25 XII. Allegro assai
00:26:18 XIII. Allegro
00:28:16 XIV. Preludium – Adagio
00:32:07 XV. Allegro moderato
00:33:36 XVI. Tempo a piacere
00:36:35 XVII. Andantino con variazioni
00:44:09 XVIII. Presto
00:46:11 XIX. Tempo a piacere
00:48:01 XX. Tempo a piacere
00:49:03 XXI. Alla polacca e trio
00:52:02 XXII. Allegro vivace
00:54:12 XXIII. Andante sostenuto
00:55:43 XXIV. Adagio grandioso – Allegro – Adagio – Allegro
00:58:31 XXV. Andantino con variazioni
00:59:45 XXVI. Adagio
01:05:42 XXVII. Allegro non troppo
01:07:00 XXVIII. Allegretto
01:11:44 XXIX. Allegro assai
01:14:16 XXX. Andante con moto
01:17:08 XXXI. Presto
01:21:26 XXXII. Larghetto
01:22:59 XXXIII. Allegro
01:24:49 XXXIV. Andantino – Presto
01:26:22 XXXV. Allegretto scherzando
01:29:41 XXXVI. Moderato assai
01:31:41 XXXVII. Vivace
01:34:28 XXXVIII. Allegro assai
01:41:12 XXXIX. Larghetto
01:44:52 XL. Vivace assai
01:48:33 XLI. Allegro maestoso

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